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John Keats Hellenism

 


John Keats Hellenism


John Keats in the most sensuous of all the romantic poets. His poems express tender emotion. Keats poems have the richest and most tensely emotional effect. They are remarkable for the magie of sheer poetic beauty. He lived a miserable life which tormented him.


Moreover, his failure of love with Fanny Brawne dejected him and it was reflected n many of his poems. Keats was a passionate lover of beauty. He adores beauty like a devotee. His adoration of beauty is almost pagan. To hím a truth and beauty are anonymous.This is referred to as Keats' "negative apability" and he holds the opinion that "What imagination seizes beauty must be the truth."


In other words, Keats loses himself into an object of beauty that he adores. He forgets all about the world of reality and takes shelter into the world of beauty, imagination and in the world of trees where nightingale inhabits. There is an emotional entity of Keats in his poetry, separate from his own identity. In fact, Keats is a bundle of emotions. Keats makes use of Greek imageries and mythology to express his sense of beauty. His poems are also remarkable for the recurrent theme of transience and permanence. To him, every thing-love, life, beauty is short-lived. On the other hand, everything belonging to the world of beauty and imagination is permanent.


Three central and independent themes resound through Keats' poetry. The relationship between the ideal world of art and the human world of sufferings, the nature of poetry itself and attention to Pre- Christian mythology. Keats was so preoccupied with the myth that he himself was subject to mythologizing.


He has become an English classic. He now believes that the Greeks were extremely elegant and that no other mythology can be so expertly transformed into poetry as theirs. The genius of Mr Keats is peculiarly classical. He imagination and his language have a spirit and intensity. He has none of Byron's egotism-selfishness. 


His feelings are intense and original.He speaks of and portrays nature with a profound, even breathless affection rather than with awe and humanity. He knows that nature is better and older than he is. He does not put himself on an equality with her. The moon, the mountain, the foliage of the wood, the sky, the rock, the desert, the sea and the leaves of the flower etc. are the spirit of his poetry.


He speaks of and portrays nature with a profound, even breathless affection rather than with awe and humanity. Keats' odes are remarkable for central themes. They are the theme of transience and permanence, love for beauty, melancholy, nature etc. A contrast between art and life is the most recurrent theme of Keats' ode. Often he is called a poet of negative capability- no self or no personality. He adores an object of beauty and loses himself into it. In other words, he takes shelter in beauty or imagination to forget the agonies of reality. This is also known for his negative capability.


His poem “Ode to a Nightingale” is the most representative of his poems reflecting his romantic temperament. The poem is remarkable for his sensuous imageries and the common theme of romantic literature- the fading of the vision of the glorious dream. The poet hovers between his own world and the world of nightingale.


Another aspect of his iconography merits emphasis. It is the inclusion of Hellenic mythology in the construction of his imagery. Apart from it, we can also say that a portion of Nightingale and the whole of “Psyche” and “Grecian Urn” are based on Hellenic imagery and sense of beauty. Keats, unlike any other poet, may be completely associated with his object of adoration, a thing of beauty, and practically all of his poems feature this type of classic Keatsian scenario. In fact, Keats uses Greek imageries to express his sensuousness and sense of beauty.

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